The Big Picture [The following contains spoilers for The Zone of Interest.]On its somber journey through the festival circuit, Jonathan Glazer’s historical drama The Zone of Interest was screened at this year’s Toronto International Film Festival. To discuss this heavy project, co-star Christian Friedel stopped by Collider’s studio at the Cinema Center by MARBL to sit down with Editor-in-chief Steve Weintraub.
CHRISTIAN FRIEDEL: Reading the script for the first time was amazing. It was a great script, and in the script, all the noises you hear are written down in the script. So, not exactly everything, but you have a vision. If you read the script, you have a vision of what John wants to do.
I'm fascinated by how so many different directors work in different ways and yet they all work. There's no right method to making a movie. Sandra and me, we were in a little, small cinema in Leipzig, her hometown, and with her dog, we were together. The dog is the dog in the movie. It was a premiere for the dog to see the movie for the first time. [Laughs] And especially, you said the beginning or the end – in the script, the beginning and the end were different than what we see in the movie. I think after the cleaning woman comes back to Rudolf’s house and he’s getting down the stairs, it's a genius cut, I would say.
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